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Airwave Hysteria ~ Transmissions from Across the Music Spectrum

Archive for May 17th, 2008

New Releases: Scarlett Johansson, Mudhoney, 3 Doors Down and more

May 17th, 2008, 6:57 pm by Jaime Galvan

4198.jpg By Michael Hamersly/McClatchy Newspapers

Due in stores Tuesday:—French Kicks, “Swimming” (Vagrant Records). New York mod-pop in the vein of The Strokes.—Julianne Hough, “Julianne Hough” (Mercury Nashville). Partner of Helio Castroneves and Adam Carolla on “Dancing with the Stars” tries her hand at country music. —Mason Jennings, “In the Ever” (Brushfire Records). Catchy pop-folk.

—Scarlett Johansson, “Anywhere I Lay My Head” (Atco). Actress offers her vocal interpretations of 10 songs by growly singer-songwriter Tom Waits.

—King’s X, “XV” (Inside Out Music).

—Mates of State, “Re-Arrange Us” (Barsuk). Husband-and-wife indie-pop duo from Kansas.

—Jesse McCartney, “Departure” (Hollywood Records).

—Mudhoney, “Lucky Ones” (Sub Pop). Eighth studio album from Seattle grunge pioneers.

—3 Doors Down, “3 Doors Down” (Universal Republic). Features first single “It’s Not My Time.”

—The Wedding Present, “El Rey” (Manifesto Records). Eighth studio album finds British indie-rockers reuniting with producer Steve Albini.

Artist of the Week: Mudhoney

May 17th, 2008, 6:22 pm by Jaime Galvan

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Mudhoney returns May 20 with their eighth full-length album in more than 20 years of rocking including the emergence of grung in the early ’90s. “The Lucky Ones” is set to hit stores on Tuesday along with a 20th anniversary deluxe edition of their classic “Superfuzz Bigmuff” album.

For more on Mudhoney, check out the All Music Guide.

Feature: Old 97s frontman dicusses new album ‘Blame It On Gravity’

May 17th, 2008, 5:45 pm by Jaime Galvan

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In an interview with the Dallas Observer, Old 97s frontman Rhett Miller discussed the band’s seventh studio album, “Blame It On Gravity,” the bands departure from the alt-country sound and get a little nostalgic. It has been four years the Dallas-based quartet released “Drag It Up” in 2004. According the band’s Web site, “Gravity finds the band “turning up the amps and returning to the satisfying crunch of its early records.”

“Bands go through a phase where they age, as people,” Miller says. “During ‘Drag It Up,’ all of us had gotten older and started families. That record was full of songs about mortality and aging. This record is more like a second childhood. More guitars, and they’re loud.”

Feature: Portishead back after 10-year hiatus with ‘Third’

May 17th, 2008, 4:30 pm by Jaime Galvan

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By Jake Coyle/The Associated Press

INDIO, Calif. — As Portishead finished its meticulously sparse evening performance at the Coachella Valley Music and Arts Festival, the typically reticent Beth Gibbons suddenly leapt off the stage and ran a 100-yard dash along the fenced-in crowd, exuberantly shaking their hands.

Percussionist Geoff Barrow and guitarist Adrian Utley soon exited more quietly. Barrow, though, paused in front of a microphone to say, simply, “Thanks for waiting.”

Read the rest of this entry »

Review: Death Cab For Cutie take dramatic leap

May 17th, 2008, 4:14 pm by Jaime Galvan

9e29acc6a86d4c75aed6532ec56f81f1.jpg Death Cab For Cutie, “Narrow Stairs” (Atlantic)

By John Kosik/The Associated Press

Making the jump from an indie label to a major one can spell disaster, and many a fan heralded the demise of Death Cab For Cutie after their unfairly criticized Atlantic debut, 2005’s “Plans.”

Again boasting slick production and a new direction for their sound, Death Cab’s follow-up, “Narrow Stairs,” will shatter any expectations about this band — and here it’s a compliment.

Typically grounded in warm and bright flavors, Death Cab have widened their scope dramatically on “Narrow Stairs,” with synth providing dark tones and biting atmosphere — the disc floats and echoes.

Death Cab still cover the same heartfelt territory — love and happiness, rejection and regret — just with a lot more aplomb.

Disc opener “Bixby Canyon Bridge” provides a jolt, with a soft intro and frontman Ben Gibbard’s emotive vocals lulling you in before a hard riff hits you over the head.

Impressive lead single “I Will Possess Your Heart” boasts an ambitious intro — maybe too much so — propelled by bass and piano before Gibbard flashes his typical eloquence: “How I wish you could see the potential/The potential of you and me/It’s like a book elegantly bound/But in a language you can’t read just yet.”

The disc is nicely balanced between driving rock — the poppy “No Sunlight,” anthemic “Cath,” and joyous retro vibe of “Long Division” and “Pity and Fear” — and moody mid-tempo ballads — a poetic “Grapevine Fires” and the self-deprecating oddity of “You Can Do Better Than Me.”

“Narrow Stairs” is a knockout, and will make you throw out everything you’ve come to know about Death Cab For Cutie.

CHECK THIS TRACK OUT: Equally sad and romantic, “Your New Twin Sized Bed” is a sweet lament to heartbreak, and Gibbard’s longing vocal will touch anyone who’s spent a rainy day crying in bed.

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